COME ROCK OUT
Sunday Funday w/ TUB
There is nothing like a Grateful Dead concert. For fans of the jam-band genre, truer words have never been spoken. In the current era of tribute bands and "exact recreations," TUB was conceived in 2011 as something different. The idea was simple: share the experience of musical exploration and improvisation that inspired the Grateful Dead with the current generation – but don’t limit the set lists to one band. TUB primarily focuses on the music of the Grateful Dead, Phish, and WSP, but will also flavor their sets with a nod to the Band, Steely Dan and other musically engaging artists. "Basically, they are the Southeast's DSO, if DSO played Phish and WSP as a part of their sets..." At each TUB show, a choice selection of tunes is played with the same attitude as a jazz artist might approach a standard or a classical performer might interpret a composition: the spirit of the original piece is respected while also being rediscovered by the passion and interaction between the musicians and the audience. Every show is unique in terms of the songs performed, the order they appear in, and the unlimited direction of the improvisations. This belief in the power of live music and the interplay between the energy of the fans and the band make each TUB show an unforgettable experience. Eight years and hundreds of shows later, the word continues to spread: TUB shows are not to be missed!!!
banefitting the Alabama Waldorf School
Come see some of the best local music in Birmingham, for a good cause! Featuring performances by The Dexateens, Dead Fingers, Shaheed and DJ Supreme, Holiday Gunfire, Fist City Country Show (with Will Stewart and Sarah Lee Langford), and Results of Adults (Tym and Mary B. Cornell, Mark Beasley). All proceeds benefit the school. Full-day admission is $15 minimum donation, and kids 14 years old and younger get in for free. This family-friendly event will include food trucks, face-painting, hula-hooping, and activities for kids including frisbee and cornhole toss.
Shovels and Rope and Frank Turner and the Sleeping Souls
presented by Red Mountain Entertainment
Jupiter Coyote w/ special guests Hannaward Pass
with Special Guests Hannaward Pass
In the course of their 27-year history, Jupiter Coyote has played over five thousand shows, traveled everywhere and done just about everything a touring band can do. The innovative group has independently sold close to a million CDs, tens of thousands of downloads, and who knows how many bootlegs they cut loose to fans for free. JC is brand name, and a pioneering cornerstone in the jam band scene. They have been called the new twist in southern rock and they deliver it with a relaxed, worldly view. Their sound has been labeled “Mountain Rock” — a mixture of Southern Appalachian boogie, bluegrass-infused, funk-rock. JC plays it the way they feel it — with little regard as to where they fall between the cracks of what is considered trendy and fashionable. A band prolific in its writing, skilled in its musicianship and congenial in its nature, they remain the prototype of the truly independent band. They handle all business in-house and own their own record label, which is distributed internationally through Red Eye Worldwide. Coyote has shared the stage with The Allman Brothers Band, Dave Matthews, Widespread Panic, String Cheese, The Radiators and Kansas just to name a few. They have played large festivals from coast to coast, including: High Sierra Music Fest in California, Charlotte’s Center City Fest, Atlanta’s Mid-Town, Birmingham’s City Stages, Asheville’s Bele Chere and The Magnolia Fest in Live Oak, Fla. The group traces its roots to Brevard, N.C., where childhood friends Matthew Mayes (guitar, guijo, vocals) and John Felty (vocals, guitars) decided in 1988 to pursue a career in music. The duo headed to Macon, Ga., where they joined forces with drummer Gene Bass and bassist Sanders Brightwell. Steve Trismen (vocals, fiddle) joined the fold in 1999. A native of Boulder, Colo., Trismen’s playing melded neatly into the band’s sound and gave Coyote a new on-stage dynamic. Noel Felty took over for Bass on drums in 2001. Most recently, long-time JC sidekick John Meyer was added on lead guitar. Meyer is also the person who came up with the name Jupiter Coyote back when the band was first starting in Macon, Ga. There is no band that really sounds like Jupiter Coyote. They have a guijo (banjo neck, Stratocaster body) an incredible fiddle player, and two fantastic slide guitar players. On top of that the band is currently touring with two drummers; Noel Felty and Gene Bass. Lot’s of vocal harmony and clever songwriting set these guys apart from the rest of the banal, jam band pack. Currently, the band just finished its 8th studio album entitled “Life Got In The Way.” It was released Aug 4th, 2018 and cracked the i Tunes top 100 rock category first day out. Jupiter Coyote is currently touring. Talent buyers should contact Matthew Mayes at firstname.lastname@example.org
$15 Early Bird/$20 GA
presented by Red Mountain Entertainment
The social and political awareness that drives Flogging Molly's music is never more prominent than in their upcoming new release LIFE IS GOOD -- a strikingly powerful album and it arrives at a strikingly key time. The sixth studio album by the renowned Celtic-punk rockers now in their 20th year is mature, well crafted, equally polished and almost aggressively topical. It is filled with rousing songs that are timeless in their sentiment, but directly related to today's most pressing concerns: Politics, the economy, unemployment, planned boomtowns gone bust, immigration policies gone awry, and much more. For singer and lyricist Dave King, it may be the lyrical couplet contained within the surging "Reptiles (We Woke Up") that points toward the album's central theme. "We woke up," sings King, "And we won't fall back asleep." "The thing is, there are things changing," says King. "That's why I wrote that line, 'Like reptiles, we'll all soon be dust someday.' It's quite scary, especially for somebody who has children these days -- bringing up family in this environment of who's welcome and who's not welcome. I'm talking about the cultures in America and the UK -- especially American immigration. Life Is Good thus serves as a wake-up call to those who have simply stood by while far-reaching political decisions were made that had serious impact on them. And, significantly, it also serves as notice that the time for action is now. And people are indeed taking action, adds King, which is a crucial point. "I think especially with things like government -- I think we all tend to fall asleep a little bit when it comes to other people that are making decisions for you. I think we should be the ones influencing the government to make these decisions. It's a great thing that we're now taking to the streets again. And it's a positive thing." Imagery abounds on Life Is Good, and one of the most memorable images might be found in "Adamstown," the saga of a planned community west of Dublin that came to a halt in mid-construction a decade ago when the Irish economy crashed -- and left little more than a ghost town in its place. "It had a huge negative connotation to it," King says of the eerie, unfinished settlement. "But now it's starting to turn again, people are starting to move there, businesses are starting to open, and there is hope." Thematically, hope and inspiration are a major part of "The Hand of John L. Sullivan," a rollicking track about the legendary "Boston Strong Boy" who was the first ever heavyweight champion of gloved boxing from 1882-1892. Sullivan was a hero to many, and his story has a cultural significance that fits squarely within the story Flogging Molly want to tell with Life Is Good. "He came from an immigrant family to Boston, and they brought their family over to try to make the best possible world for them," says King. "We live in an environment right now where that doesn't seem to be what should be allowed to happen, you know? Recorded in Ireland and produced by multiple Grammy Award winner Joe Chiccarelli (U2, the White Stripes, Beck), Life Is Good is by any measure a formidable return from Flogging Molly, an assessment with which Dave King fully agrees. "It's been a tough few years for a lot of us in the band. Dennis (Casey, guitarist) lost his dad, I lost my mother, and there have been certain issues, pertaining to sentiment, in a lot of the songs. But we just try to do the best we can. We've always had fun getting together and coming up with the new songs, and it's still that way. Here we see what's uniquely distinctive about Life is Good, as the gravity and weight of these themes never overshadow the sheer fun and exuberance felt in each song. For the message is delivered and built on the backs of boisterous and barreling live touring. "We're known for our live shows," says Dave King. Writing albums has always been a vehicle for us -- it's been a means to get people onto the dance floor. And that's kind of the way we've always approached it, no matter what." "The one thing we are is a positive band," adds Dave King. "When people come and see our shows, it's a celebration -- of life, of the good and of the bad. And we have to take the good and the bad for it to be a life." FLOGGING MOLLY IS: Dave King (Lead Vocals, Acoustic Guitar, Electric Guitar, Bodhran), Bridget Regan (Violin, Tin Whistle), Dennis Casey (Acoustic Guitar, Electric Guitar), Bob Schmidt (Banjo, Mandolin), Matt Hensley (Accordion, Piano, Concertina), Nathen Maxwell (Bass Guitar), Mike Alonso (Drums, Percussion).
No upcoming concerts at the moment.